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Disney Files Landmark Case Against AI Image Generator | LegalEagle | YouTubeToText
YouTube Transcript: Disney Files Landmark Case Against AI Image Generator
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Well, you mess with the mouse and you
get the horns. Mickey, Shrek, Elsa,
Frankenstein's monster, Iron Man, the
Minions. These universally recognized
characters have joined forces to take on
a digital pirate more dangerous than
Jack Sparrow. Midjourney AI. This is the
entertainment industry's version of the
Avengers Assembling. But it's Disney
versus AI, so maybe everyone is bad.
Sort of a oops, all Ultron situation.
That's right. In a highstakes lawsuit
with massive implications for the future
of generative AI, Disney Enterprises and
Universal Studios and their affiliates
have sued Midjourney for direct and
secondary copyright infringement. The
complaint accuses the AI image
generation company of systematically
exploiting some of the most famous
intellectual properties in the world,
including characters from Star Wars,
Frozen, The Simpsons, and Marvel without
permission or compensation. Universal
and Disney say Midjourney is nothing
more than quote a virtual vending
machine that spits out copies of
copyrighted works on demand. And every
time someone asks Midjourney to make a
Yoda with a lightsaber or Elsa in front
of an ice castle, the company cashes in.
And anyone who's ever used a generative
AI image generator is like, "Yeah,
that's what makes it fun." But Disney
and Universal Suit is a test case for
the boundaries of fair use, the
definition of derivative works, and
whether AI companies can legally profit
from training on and replicating
protected content without consent. But
what happens when your AI tool starts
turning out images of Darth Vader, Elsa,
and Iron Man, but you didn't pay a dime
for the rights? Well, Disney and
Universal sued Midjourney in the United
States District Court for the Central
District of California, that is the
federal court that's located largely in
Los Angeles, alleging both direct and
secondary copyright infringement under
the Copyright Act of 1976. The complaint
accuses Midjourney of blatant piracy,
quote, by helping itself to plaintiffs
copyrighted works and then distributing
images and soon videos that blatantly
incorporate and copy Disney's and
Universal's famous characters without
investing a penny in their creation.
Midjourney is the quintessential
copyright freewriter and bottomless pit
of plagiarism. Gee, tell us how you
really feel, guys. But Disney and
Universal say that Midjourney's business
model relies on reproducing their
copyrighted works. Quote, Midjourney had
to copy plaintiffs copyrighted works in
order for it to be able to subsequently
disseminate reproductions and
derivatives of plaintiffs copyrighted
works as outputs. Plaintiffs are
referring to their rights under the
Copyright Act of 1976, codified at 17USC
section 101, and continuing from there,
which gives creators exclusive rights to
their original works of authorship such
as books, music, movies, art, software,
and more. As we've covered many times on
this channel, the copyright gives
creators the exclusive rights to
reproduce their work, prepare derivative
works, distribute copies, perform the
work publicly, or display the work
publicly. An unauthorized use of any of
these exclusive rights is copyright
infringement. However, the fair use
exception allows the unlicensed use of a
copyright protected work in certain
circumstances, which we'll talk about
later because that's a main defense for
Midjourney. But here are some examples
of the plaint of site to confirm that
Midjourney directly produces images that
infringe on their copyrighted
characters. Quote, "In response to the
prompt, Mandalorian carrying Baby Yoda,
movie still, screen cap, Midjourney
accesses the data about Disney's
copyrighted works that is stored by the
image service and then reproduced,
publicly displayed and made available
for download an image output that copies
Disney's Mandalorian and Baby Yoda as
shown in the screenshot." In response to
the prompt Olaf frozen cartoon,
Midjourney came up with this screenshot.
In response to the prompt, Po character
from the animated film Kung Fu Panda
full body view screen cap, MidJourney
produced this image. So, you get the
idea. Now, there's just pages and pages
of these examples, and this is a
generally really well-ritten complaint
that really utilizes photos and
pictures, well, which you don't often
see in a federal complaint, but it's
just an overwhelming number of examples
of outputs that likely infringe on
Disney's copyrights. There's not going
to be much of a debate here that the
these particular outputs infringe on
Disney's IP. But the complaint alleges
that MidJourney is not a passive tool in
creating infringing images. Rather,
MidJourney controls what content is used
to train its AI models, how it's
processed, and what outputs are allowed.
And plaintiffs say that Midjourney
engaged in the following conduct to
train its image service. First,
Midjourney gathers the copyrighted works
from the internet and other sources
using quote bots, scrapers, stream
rippers, video downloaders, and
webcwlers. In another context,
Midjourney CEO said the company quote
grabs everything they can. They dump it
in a huge file and they kind of set it
on fire to train some huge thing.
Second, to prepare the data for
ingestion, midjourney cleaned the copies
of the underlying works that were
collected in the previous step through a
filtering process and reformatted such
as converted them to a common technical
format. The copies that were not
filtered out in the cleaning process to
train its image service. This step
necessarily included creating more
copies of the materials obtained in the
gathering phase, such as a new copy of
each reformatted item. And third, the
companies alleged that MidJourney uses
the collected and cleaned data and
copyrighted works to train its image
service. Now, the plaintiffs admit they
don't know exactly how MidJourney
completes this process, but that will be
the subject of discovery, I'm sure. And
the companies believe this process
involves quote fixation of copies of
plaintiffs copyright works in a tangible
medium for which the work can be
perceived, reproduced, or otherwise
communicated with the aid of a machine
or device. And the plaintiffs point out
that for MidJourney to work, the copying
has to be pervasive, creating copies
upon copies of copyrighted imagery.
quote, "Indeed, in true vending machine
form, Midjourney distributes and
displays copy after copy after copy of
Plaintiff's iconic copyrighted
characters to its subscribers and its
website as part of its explore feature.
These copies often contain extensive
infringing nuance and detail, background
elements, costumes, and accessories
beyond what was specified in the prompt.
And according to the complaint,
Midjourney seems to generate infringing
images even when the prompts do not
directly reference copyrighted material.
For example, when a researcher entered
the prompt popular9s animated cartoon
with yellow skin into the service,
Midjourney generated an image of the
Simpsons. When a research team used the
prompt, quote, "Black armor with light
sword movie screen cap AR 16x9 v6.0
style raw, midjourney created images of
Darth Vader and the Mandalorian."
Furthermore, when the researchers
entered a single word screen cap,
Midjourney came up with images of
Spider-Man, Loki, and Elsa, apparently
from the films featuring those
characters. And Midjourney markets its
service by using copyrighted images on
its explore page which is accessible to
subscribers and non-subscribers alike.
Quote there as an added service to
subscribers. Midjourney subscribers can
search the various images previously
generated by Midjourney for other
subscribers. As shown below this explore
page contains a seemingly limitless
trove of infringing copies of plaintiffs
copyrighted works. For example, if you
search for Baby Yoda on the explore
page, Midjourney publicly displays
images of Disney's Den Grou character,
colloquially known as Baby Yoda, that
Midjourney has generated and distributed
to its subscribers. And Pliff's claimed
that Midjourney is using people's desire
to see things like Grou dressed for
Halloween, as a draw for subscribers.
Quote, "Midjourneys explore page
manifests its express intention and
desire to attract Midjourney subscribers
and increases revenue by exploiting the
availability of infringing plaintiff's
content and its ability to reliably
reproduce plaintiffs copyrighted works
for its subscribers. Midjourney
reportedly earned over $300 million in
2024 and has millions of paying users.
Midjourney charges a subscription fee
ranging from $10 to $120 per month and
Universal and Disney argue that this
economic success is built on the back of
unlicensed use of their popular
characters." Disney and Universal stress
that the entertainment industry has
invested billions of dollars over the
decades to create the iconic characters
that Midjourney is now freely imitating.
And they assert that Midjourney's
infringement is not incidental or
accidental, but calculated and willful.
Quote, "Midjourney's infringement of
plaintiff copyrighted works is
manifestly willful." Council for
Plaintiff sent Midjourney letters
detailing Midjourney's extensive
infringement of plaintiffs copyrighted
works attached exhibits C and D. In his
letter, Disney put midjourney on notice
that his image service was generating
images of Disney's iconic characters
including the Simpsons, Spider-Man,
several Guardians of the Galaxy
characters including Groot, Drax the
Destroyer, and Rocket, the Star Wars
droids, R2-D2, and C-3PO, Stormtroopers,
and Buzz Lightyear. Similarly, Universal
put Mid Journey on notice that his image
service was generating images of his
iconic characters, including Shrek,
Hiccup, and Toothless from the How to
Train Your Dragon film franchise. Boss
Baby Po from Kung Fu Panda, and the
Minions from Despicable Me and Minions
film franchises. Not that it's positive,
but the complaint alleges that
Midjourney did not respond to the
plaintiff's letters, and instead the
company allegedly doubled down on its
infringement. Four months later, it
announced a new and improved version of
its service dubbed V7. And shortly
before plaintiffs filed suit, Midjourney
CEO touted its upcoming video service,
noting it works well with images from
Midjourney. And the plaintiffs argue
that Midjourney has full capacity to
prevent the creation and display of
infringing material, especially since it
already uses filters to block nudity and
violent content. And the plaintiffs are
concerned that quote, "idjourney is very
likely already infringing plaintiff's
copyrighted works in connection with his
video service." Now, willful copyright
infringement occurs when someone
knowingly and intentionally violates
copyright law. And this means that they
are aware that their actions are
infringing on someone else's copyright
and they proceed anyway, either with
knowledge or with reckless disregard for
the copyright holders rights. Now, the
legal claims here aren't that different
from the many lawsuits that have already
been filed against AI companies and are
currently in process. Though, there is
an emphasis on the outputs of the AI and
not just the claimed illegality of using
the copyrighted material for inputs and
training. But what is different is this
is Disney and Universal. This represents
the entertainment industry going to war
against AI. And their first claim is for
direct copyright infringement. This
occurs when a party violates one or more
of the exclusive rights held by a
copyright owner. And to prevail in this
claim, the plaintiffs must establish two
key elements. That they own a valid
copyright in the works at issue. And
two, that the defendant copied original
protectable elements of those works
without authorization. And proven direct
infringement involves showing that the
works generated by the defendant are
either literally copied or are
substantially similar to the original
works in ways that go beyond general
ideas or themes. Now, the term
substantial similarity is a term of art.
It doesn't just mean, oh, this looks
substantially similar. There's a whole
test that I won't go into. But in this
case, Disney and Universal argue that
Midjourney has done exactly that. They
allege that the AI image generation
service allegedly creates images that
clearly depict their protected
characters such as Darth Vader, Elsa,
Iron Man, and the Minions. And the
visual comparisons that the plaintiffs
use seem to show that a simple prompt
leads to the output of obviously
recognizable images based on their
copyrighted properties. Now, I'm going
to go out on a limb here and say that
based on the images in the complaint,
every single one of those would infringe
on Disney's copyright if there's no
defense, regardless of what test you're
going to use. And just because we always
get comments along these lines, it
doesn't matter if the outputed image has
never existed before. It's very, very
similar to images that do exist and
would almost certainly qualify as
copyright infringement. And based on
that, the plaintiffs argue that because
MidJourney controls a system that
generates, displays, and distributes
those images, the plaintiffs claim that
Midjourney is directly responsible for
that infringement. And since Midjourney
will probably argue that it's not
responsible for what its users do with
the data sets, plaintiffs also sued for
secondary copyright infringement, which
is a broader legal category that
includes both contributo and vicarious
infringement. Unlike direct
infringement, secondary liabilities does
not require the defendant to have
personally created the infringing
content. Instead, it applies when
someone facilitates, encourages, or
profits from another party's infringing
actions. And courts recognize this kind
of liability as a way to hold
accountable those who, while not
directly copying the works themselves,
play a critical role in enabling the
infringement. To establish contributo
infringement, the plaintiffs have to
show three elements. That there's been a
direct infringement by a third party,
such as MidJourney users, that the
defendant knew or had reason to know of
the infringing activity, and three, that
the defendant materially contributed to
it. Disney and Universal argued that
MidJourney knew its platform was being
used to create infringing content, yet
took no meaningful steps to prevent it.
And instead, the company promoted its
ability to generate such content and
refused to adopt safeguards that could
have limited the misuse of its tool. And
a similar liability issue came up in&M
records versus Napster, where the Ninth
Circuit ruled that Napster was liable
for both contributory and vicarious
copyright infringement. The court held
Napster liable for contributo
infringement because the company knew or
should have known that his users were
engaging in copyright infringement by
sharing music files without
authorization. Napster itself didn't
share copyrighted music files itself.
But Napster materially contributed to
that infringement by providing the
software and infrastructure that enabled
users to find and download copyrighted
songs themselves. And the plaintiffs
also alleged vicarious infringement.
They claim Midjourney had both the right
and ability to control the infringing
activity and had a direct financial
interest in the infringing conduct.
Vicarious infringement doesn't require
the venet to have actual knowledge of
the infringement. And in this case,
Disney and Universal say that Midjourney
fits the bill. It controls the terms and
functionality of its AI platform, has a
technical ability to block infringing
prompts or outputs, and makes
substantial revenue from subscriptions
that give users access to the image
generation service. They allege that
MidJourney not only enables but profits
from widespread unauthorized use of
their copyrighted material. So based on
this, the companies seek injunctive
relief to stop the alleged infringement
and are also asking the court for
damages, including statutory penalties
for willful violations. Now, if you
pirate an entire industry's worth of IP,
you're probably going to want a good
lawyer. But if you want a great lawyer,
my law firm, the Eagle Team, can help.
If you've got in a car crash, suffered a
data breach, especially if you got a
data breach letter saying your
information might have been leaked, or
dealing with a workers's comp or social
security issue, we can represent you or
help find you the right attorney. And by
the way, we don't get paid unless you
do. So there's nothing upfront. So, just
click on the link in the description or
call the phone number on screen for a
free consultation with my team because
you don't just need a legal team, you
need the legal team. So, does midjourney
stand a chance here? Well, when
generative AI companies are accused of
copying copyrighted works, their first
line of defense is almost always fair
use. Now, we've covered this a lot. To
claim fair use under the Copyright Act,
courts examine four main factors. One,
the purpose and character of the use,
the nature of the copyrighted work, the
amount and substantiality of the works
used, and the effect on the potential
market for the original. Now,
MidJourney, like many of the AI
companies, will likely argue that its
service is transformative, meaning it
changes or add something new to the
original material and serves a different
purpose. The company will also say that
it doesn't directly copy images, but
instead uses data to generate entirely
new works based on their users prompts.
Disney's complaint challenges that
defense by providing a side-by-side
comparison, showing that MidJourney
outputs highly recognizable images of
protected characters like Darth Vader
and the Minions. And these images really
do seem to replicate the visual elements
that make the characters distinctive.
But Midjourney could also point out that
the plaintiffs seem to deliberately try
to get Midjourney to create infringing
images of its characters through prompts
that literally say something like Elsa
singing in front of an ice castle. But a
lot of this is uncharted and we don't
have verdicts in a lot of the AI
copyright cases yet. Though in one case
in 2023, the Supreme Court added an
additional dimension to fair use
analysis when it decided a case called
Andy Warhol Foundation versus Goldsmith,
which turned on the first fair use
factor. And that case is really
interesting. In 1981, photographer Lynn
Goldsmith took a portrait photo of
Prince, and a few years later, she
licensed that photo to Vanity Fair for
use as an artistic reference. Andy
Warhol then created an image of Prince
based on that photo without further
licensing or Goldsmith's permission. And
after Prince's death in 2016, the Warhol
Foundation licensed one of his images to
Connie Nass for $10,000. Now, Goldsmith
didn't receive anything and sued the
Warhol Foundation for copyright
infringement. And the Supreme Court
ruled that the Warhol Foundation
infringed on Goldsmith's copyright. The
court held that the licensing of the
resulting Warhol image for commercial
use as basically a magazine cover was
not protected under the fair use
doctrine. And writing for the majority,
Justice Sonia Sotomayor explained that
quote, "If an original work and
secondary use share the same or highly
similar purposes and secondary use is of
a commercial nature, the first factor is
likely to weigh against fair use, absent
some other justification for copying."
And the artwork Warhol made from
Goldsmith's image dubbed Orange Prince
may be visually distinct and carrying a
different enough artistic message to
qualify as fair use. But that did not
mean the Warhol Foundation could license
Orange Prince to a magazine where it
would be used in the same context as the
Goldsmith photo it was based on. And
that decision carried major implications
for AI generated content. Like Warhol,
MidJourney creates works that may look
different from the copyrighted materials
used as inputs, yet those materials
still form the backbone of what's being
generated. And crucially, Midjourney has
built a commercial product on the
unauthorized use of copyrighted
material. And arguably, if you compare a
Midjourney image to a screen grab from a
movie that share the same characters,
uh, arguably they both share the same
purpose. Now, the second fair use
factor, the nature of the copyrighted
work might favor the plaintiffs here.
Courts generally protect highly creative
works like movies, characters, and
animated visuals more vigorously than
factual or functional works. And since
the characters at issue are expressive
fictional creations, that factor is
probably going to cut against
Midjourney. On the third factor,
Midjourney could argue that it doesn't
store or reproduce the original images
outright, but rather processes them into
abstract mathematical patterns. However,
so far courts have been skeptical of
this kind of argument, especially when
the AI outputs are nearly
indistinguishable from the copyrighted
source. The fact that Midjourney service
allows users to generate images as
iconic characters on demand makes it
difficult to claim that only a small or
insubstantial portion of the copyrighted
work was used. And the fourth factor,
the market harm could be one of the
strongest arguments for Disney and
Universal. They maintain that MidJourney
enables unlicensed unauthorized use of
their characters in a way that competes
with or devalues the licensing of their
own images. And their licensing business
is huge. If you were the type of person
who wanted a painting of Star Wars in
the style of Thomas Concincaid, you can
buy that from Concaid who paid a
license. And even if users aren't
selling the images, the availability of
free AI generated character art may
reduce the market for official
merchandise, content licensing, or
derivative works. And as with the Warhol
case, the courts ask not just whether
the new images look different from the
copyrighted works, but whether they
compete with or substitute for the
original in the marketplace. And if it
does, the fair use defense starts to
look a lot weaker. Now, the fourth
factor was also decisive in one of the
few cases on AI that we have a result.
It's a case called Thompson Reuters
versus Ross, where the court found that
Ross Intelligence harmmed the potential
market for Weslaw by using its
proprietary editorial content to build a
competitor. But that case did not
involve generative AI. And as so often
happens in law, the new technology is
moving at warp speed while the law is
stuck in traffic. So that means that the
law is currently in a state of flux. And
there's no single settled legal standard
in US law that applies to generative AI.
Courts are navigating uncharted
territory, often relying on precedent
from cases involving large data sets.
But those cases typically don't involve
systems that produce new creative
outputs like AI does. For example, the
Supreme Court has ruled that factual
compilations like the white pages,
that's a place where you look up phone
numbers, or at least you used to before
the internet existed, lack the
originality required for copyright since
facts alone aren't protected. And the
courts have also ruled that scraping
public data is largely legal. In a case
called HighQ Labs versus LinkedIn, for
instance, the Ninth Circuit held that
LinkedIn couldn't block a small
analytics firm from scraping public user
profiles since personal facts aren't
copyrightable either. And AI companies
like Midjourney argue that they're
merely building indexes to the internet,
similar to the white pages or public
LinkedIn profiles. And if that analogy
holds up, then AI companies are really
going to rely on cases that involve data
mining, like the Author's Guild versus
Google, which was a landmark case over
the Google book search. In that case,
Google scanned millions of books, some
in the public domain, but others still
under copyright, and made them
searchable, offering only a brief
snippet of the copyrighted works. There,
the authors and the publishers sued,
arguing that the scans were unauthorized
and violated copyright law. But after a
decade of litigation, the Second Circuit
ruled in Google's favor, holding that
the digitization and snippet display
were fair use. And the court found that
Google's use transformative because it
created a searchable index that didn't
replace the market for the original
books. Readers still had to buy the book
to read it. So using copyrighted works
to train or power a new tool, especially
one that doesn't substitute for the
original, can qualify as fair use. And
AI companies argue that just like
Google, their scraping is protected by
fair use. And does scraping billions of
images hurt the market for the original
in any way? Not necessarily. Although,
of course, factual context matters. And
there's an argument that using artwork
to train machines to do other things
like making new art could be so
transformative that you can't look at
the finished product and conclude that
it's based on hundreds of other works.
And users can create midjourney to
create works that are clearly
transformative and new. But the problem
with midjourney is that it can also be
used to create knockoffs of the
plaintiff's characters. And that
midjourney profits from that. So, we
ultimately don't know how the courts are
going to come down and view this new
technology, but the stakes are obviously
huge. These cases could lead to the end
of AI as we know it, but it's also
possible that the case could lead to
some kind of settlement where MidJourney
agrees to pay a licensing fee to
Universal and Disney. But AI is
obviously incredibly divisive. And when
news of this lawsuit broke, over 375
sources covered it with about 35% of the
sources reporting from the left, 50%
coming from the center, and only 15%
coming from the right. But when you
examine the headlines, you see some very
different frames emerge that shape how
readers interpret and understand the
events that are unfolding. From the
right, the most common themes are to
emphasize the potential copyright
violations of Midjourney, often
referring to them as pirates. On the
left, we see a focus on the unfairness
toward individual artists. And from the
center, we see one of the strangest
media biases we've ever seen, deference
to how Midjourney might affect Darth
Vader and Shrek specifically. But the
headlines that you read first have
immense power to shape how you
understand the news. And that's why I
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