Case Study: Hans Zimmer Live | Danley Sound Labs | YouTubeToText
YouTube Transcript: Case Study: Hans Zimmer Live
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I'm Colin pink front of house engineer
for H him alive uh and the world of
hanszimmer as well I've worked with Hans
since 2014 the kind of width of hans's
music is is so broad it's amazing to mix
which of course comes with a lot of
challenges because you're having to
cover small intimate chamber orchestras
to massive punk rock feel and so it's
always a challenge when you're not just
mixing but setting up the PA we were
looking at some of the content and
hans's keyboards all go down to 10 HZ
because he takes all the capacitors out
of them so we were kind of losing that
bottom octave which in most genres of
music even you know the EDM stuff you
don't necessarily need Johan the system
Tech on the show was doing a little
research and and came across the DTs 10
because although it's not your biggest
it's your lowest they chose the dts10
because it's one of the few subwoofers
that goes down really low that's what
they were looking for to augment the uh
main system for this kind of music it's
uh considerably more powerful than let's
say a vented box would be if you could
even tune one that that low which you
really can't we all got excited about it
you know it's big Subs everybody's
excited about big Subs but these are
special they're infr Subs so they take
care of that bottom octave that most PA
systems just can't handle today I was
calibrating the system to make make sure
it integrates properly with their PA
that they have their pa of choice we've
got 12 DTS 10s along the front which is
uh it actually looks beautiful cuz it
just disappears they're visually elegant
boxes and the way they coupled together
is great and it's just giving us that
extension that we need it's a specialty
thing this is this doesn't happen uh
with most life live performances so
hans's music is is very deep and
impactful it's been fun to realize how
much he loves bass himself which is
right in line with with Tom danley's
philosophy so more bass is better and if
you can't hear it you can feel it that's
even better I did hear uh the a couple
practice songs yesterday and uh what it
does is fill in the very bottom that
shakes the room yeah they're doing what
they're supposed to [Music]
I guess the great thing about them is
that they just disappear sonically and
in a a really good way and I'm I'm still
playing with it but what I'm loving is
they're doing their job but there's no
artifacts it's just clean and powerful
and elegant and so I'm I'm having lots
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