This story recounts the legend of the Phantom of the Opera, a disfigured musical genius who haunts the Paris Opera House, his obsessive love for a young singer, Christine Daaé, and the tragic consequences of his actions.
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by jennifer bassett
the opera house in paris is a very
famous and beautiful building
it is the biggest opera house in the world
world
work on the building began in 1861
finished in 1875 and cost
47 million francs
it has 17 floors 10 above the ground
and 7 under the ground
behind and under the stage there are
stairs and passages
and many many rooms
dressing rooms for the singers and the dancers
dancers
rooms for the stage workers the opera
dresses and shoes
there are more than 2 500 doors in the building
building
you can walk for hours and never see daylight
daylight
under the paris opera house
and the opera house has a ghost a phantom
phantom
a man in black clothes he is a body
without a head
or a head without a body he has a yellow
face he has no nose he has black holes
this is the true story of the phantom of
the opera
it begins one day in 1880
quick quick close the door
it's him annie cirelli
ran into the dressing room her face
one of the girls ran and closed the door
and then they all turned to annie cirelli
cirelli
who where what's the matter
they cried it's the ghost
annie said in the passage
i saw him he came through the wall in
front of me
and and i saw his
face most of the girls were afraid
but one of them a tall girl with black hair
hair
laughed pooh
she said everybody says they see the
opera ghost
but there isn't really a ghost you saw a
shadow on the wall
but she did not open the door
or look into the passage
lots of people see him a second girl said
said
joseph bouquet saw him two days ago
don't you remember then
all the girls began to talk at once
joseph says the ghost is tall and
he wears a black evening coat
he has the head of the dead man with a
yellow face
and no nose and no eyes
only black holes
then little mexi spoke for the first time
time
don't talk about him he doesn't like it
my mother told me you
mother the girl with black hair said
what does your mother know about the ghost
ghost
she says that joseph bouquet is a fool
the ghost doesn't like people talking
about him
and one day joseph bouquet is going to
be sorry
very sorry but what does your mother know
know
tell us tell us all the girls cried
oh dear said meg
but please don't say a word to anyone
you know my mother is the door keeper
for some of the boxes in the opera house
well box 5 is the ghost's box
he watches the operas from that box
and sometimes he leaves flowers for my mother
mother
the ghost has a box and leaves flowers
in it
oh meg your mother's telling you stories
how can the ghost have a box
it's true it's true i tell you
meg said nobody buys tickets for box five
five
but the ghost always comes to it on
opera nights
so somebody does come there
why no the ghost comes
the dancers looked at meg
but how does your mother know
one of them asked there's no
man in a black evening coat with a yellow
yellow
face that's all wrong
my mother never sees the ghost in box five
five
but she hears him he talks to her
but there is nobody there and
he doesn't like people talking about him
but that evening the dancers could not
stop talking about the opera ghost
they talked before the opera all through
the opera
and after the opera but they talked very quietly
quietly
and they looked behind them before they spoke
spoke
when the opera finished the girls went
back to their dressing room
suddenly they heard somebody in the passage
passage
and madam jiri meg's mother ran into the room
room
she was a fat motherly woman with a red
happy face
but tonight her face was white
oh girls she cried
joseph bouquet is dead
you know he works a long way down on the
fourth floor
under the stage the other stage workers
found his dead body there an hour ago
with a rope around his neck
it's the ghost cried maggie the ghost
chapter 2 the directors of the opera house
the opera house was famous and the
directors of the opera house were very
important men it was the first
week of work for the two new directors
mr aman and mr fumar richard
in the director's office the next day
the two men
talked about joseph bouquet
it was an accident mr amar said angrily
or bouquet killed himself an
accident killed himself
furman said which story do you want my friend
friend
or do you want the story of the ghost
don't talk to me about ghosts mr amar said
said
we have 1 500 people working for us
in this opera house and everybody is
talking about the ghost
they are all mad i don't want to hear
about the ghost
okay miss you filmer
looked at a letter on the table next to him
him
and what are we going to do about this
letter armor
do cried mr armor why do
nothing of course what can we do
the two men read the letter again it
wasn't very long
to the new directors because you are new
in the opera
house i am writing to tell you some important
important
things never sell tickets for box five
that is my box for every opera night
madam jiri the doorkeeper knows all
about it
also i need money for my work in the
opera house
i am not expensive and i am happy to
take only 20
000 francs a month that is all
but please remember i can be a good
friend but a bad enemy
don't sell tickets for box five twenty
thousand francs a month
mr armand was very angry again that's
the best
box in the opera house and we need the
money for ma
and who is this oh g e tell me that
opera ghost of course mr furman said
but you're right amar we can do nothing
about this letter
it's a joke a bad joke
somebody thinks we are fools because we
are new here
there are no ghosts in the opera house
the two men then talked about the opera
for that night
it was faust and usually la carlotta
sang margarita
la calotto was spanish and the best
singer in paris
but today la carlotta was ill
everybody in paris is going to be at the
opera tonight
said mr amar and our best singer is ill
suddenly she writes a letter to us just
this morning
she is ill she cannot sing tonight
don't get angry again armon
mr furman said quickly we have christine daye
daye
that young singer from norway she can
sing margarita tonight
she has a good voice but she's so
young and nobody knows her nobody wants
to listen to a new
singer wait and see
perhaps daiya can sing better than la carlotta
carlotta
chapter three christine daya
mr fermau was right all
paris talked about the new margarita in faust
faust
the girl with the beautiful voice
the girl with the voice of an angel
people loved her they laughed and
cried and called for more
daye was wonderful the best singer
in the world behind the stage
meg jiri looked at annie surely
christine daye never sang like that before
before
she said to annie why was she so good tonight
tonight
perhaps she's got a new music teacher
the noise in the opera house went on for
a long time
in box 14 philippe the comp designee
turned to his younger brother and smiled
well raul what did you think of dai tonight
tonight
raul the vicom deshoni was 21 years old
he had blue eyes and black hair and
a wonderful smile the shawnee family was
old and rich
and many girls in paris were in love
with the young vikanth
but raoul was not interested in them
he smiled back at his brother
what can i say christine is an angel
that's all i'm going to her dressing
room to see her tonight
philippe laughed he was 20 years older
than raul
and was more like a father than a brother
brother
ah i understand he said
you are in love but this is your first
night in paris your first visit to the opera
opera
how do you know christine daye
you remember four years ago when i was
on holiday by the sea
in brittany raul said
well i met christine there
i was in love with her then and i'm
the comp designee looked at his brother
hmm i see he said slowly
well raul remember she is only an opera singer
singer
we know nothing about her family
but raoul did not listen
to him good families were not important
and young men never listened to their
there were many people in christine
dyer's dressing room that night
but there was a doctor with christine
and her beautiful face looked white and ill
ill
raoul went quickly across the room and
took her hand christine
what's the matter are you ill
he went down on the floor by her chair
don't you remember me raul deshani
in brittany christine
looked at him and her blue eyes were afraid
afraid
she took her hand away no
i don't know you please go away
i'm not dwell raul
stood up his face read
before he could speak the doctor said quickly
quickly
yes yes please go away
everybody please leave the room
mademoiselle day needs to be quiet
she is very tired
he moved to the door and soon everybody
left the room
christine daye was alone in her dressing room
room
outside in the passage the young vicomt
was angry
and unhappy how could christine forget him
him
how could she say that to him
he waited for some minutes then
very quietly and carefully
he went back to the door of her dressing room
room
but he did not open the door because just
just
then he heard a man's voice in the room
christine you must love me
the voice said then raul heard
christine's voice
how can you talk like that when i sing
only for you
tonight i gave everything to you everything
everything
and now i'm so tired
her voice was unhappy and afraid
you sang like an angel
the man's voice said
raul walked away so
that was the answer christine daya had a lover
lover
but why was her voice so unhappy
he waited in the shadows near her room
after about 10 minutes christine
came out of her room alone
and walked away down the passage
raul waited but no man
came out after her there was nobody in
the passage
so raul went quickly up to the door of
the dressing room
opened it and went in
he closed the door quietly behind him
then called out where are you
i know you're in here come out
there was no answer raul looked everywhere
everywhere
under the chairs behind all the clothes
in all the dark corners of the room
chapter four the phantom is angry
that was tuesday night on wednesday morning
morning
mr amar and mr firma were happy men
paris liked the new margarita everything
in life was
good the next
opera night was friday it was faust again
again
but this time with la carlotta singing margarita
margarita
by wednesday afternoon they were not so happy
happy
a second letter arrived for them from
og why don't you listen to me
i am getting angry leave box 5
free for me and where are my 20
000 francs on friday
day must sing margarita again
she is now the best singer in paris
la calotta cannot sing she has a very
ugly voice
like a toad remember
i am a bad enemy
so ferma is this still a joke
mr amar shouted what are we going to do
now eh
is og the director here or are we
don't shout armon said mr fermat tiredly
i don't know the answers
let's talk to madam jiri the door keeper
of box five
perhaps she can help us
but madame jiri was not helpful
madam jiri was not afraid of ghosts
and she was not afraid of directors of
people say that you're a friend of the
opera ghost madam jiri mr amar began
tell us about him some people say he has
no head
and some people say he has no body
looked at the two men and laughed
i say that the directors of the opera house
house
are fools what
mr amar shouted he stood up
and his face was red and angry
listen to me woman oh sit
down ahman and listen said mr filmer
why do you say that madam jiri
because monsieur the opera ghost is
angry with you when the ghost wants something
something
he must have it he is clever and
dangerous this ghost
the old directors before you they knew that
that
oh yes at first they tried to stop him
then there were many accidents in the
opera house
many strange accidents and when did
these accidents happen
when the ghost was angry so
the old directors learnt very quickly
the ghost wants box five he can have it
every night
the ghost wants money let's give the
money to him at once
oh yes the old directors
understood very well
but we are the directors not the opera ghost
ghost
monsieur ammar shouted he turned to mr firma
firma
this woman is mad why do we listen to her
her
on friday night la calota is going to
sing margarita
and you and i ferma are going to watch
the opera
from box 5.
well we can try that amar
but we don't want any accidents
madam jiri came nearer to the two men
listen to me she said quietly
remember joseph bouquet i tell you
the opera ghost is a good friend
but a bad enemy
the two men stared at her
those words
mr filmer said slowly
why did you say those words
madam jiri because
the ghost says them to me
i never see him but i often hear him
he has a very nice voice
that wednesday a letter also arrived for
the young vicom de shani
he opened the letter saw the name at the bottom
bottom
and smiled for the first time that day
dear owl of course i remember you
how could i forget you
meet me on thursday at three o'clock
in the tuilari gardens don't be angry
with me raul
raul put the letter carefully into his pocket
pocket
angry how could he be angry with an angel
on thursday he was in the tuilery gardens
gardens
by two o'clock at ten past three
he began to feel unhappy
at half past three he wanted to die
or to kill somebody
and then she came
she ran through the gardens to him
and in a second she was in his arms
oh christine he said again
and again oh christine
they walked through the gardens together
and talked for a long time
they remembered their happy weeks in brittany
brittany
four years ago
but why did you go away christine
raul asked why didn't you write to me
for a minute or two christine said nothing
nothing
then she said slowly
we were so young you and i
i was just a poor singer from norway
and you you were the vicom de shani
i knew i could never be your wife
but i love you christine
no shh listen to me raul please
i went home to norway and a year later
my father died i was very unhappy
but i came back to france to paris
i worked and worked at my singing because
because
i wanted to be an opera singer
not just a good singer but the best
opera singer in paris
and now you are raul said he smiled
all paris is at your feet
christine turned her face away and said nothing
christine raul said quietly
i want to ask you a question
who was the man in your dressing room on
tuesday night
tell me please
christine stopped and stared at him
her face went white
what man she whispered
there was no man in my dressing room on
tuesday night
raul put his hand on her arm
i heard him he said
i listened outside the door and heard a
man's voice
who was he
don't ask me raul
there was a man's voice yes but there
was no man
in my room it's true
oh raul i'm so afraid
sometimes i want to die
who is he tell me christine
please i'm your friend i can help you
i cannot tell you his name it's a secret
whispered christine i never see him
i only hear his voice but he is everywhere
everywhere
he sees everything he is everything
that's why i didn't speak to you on
tuesday night
he is my music teacher owl he's a
wonderful singer
i sang so well on tuesday night because
of him
i am famous because of him he is my
angel of music
on friday morning la calota had her
breakfast in bed
she drank her coffee and opened her
morning letters
one letter had no name on it it was very short
short
you are ill you cannot sing margarita tonight
tonight
stay at home and don't go to the opera house
house
accidents can happen do you want to lose
forever la carlotta was very
very angry she got out of bed at once
and did not finish her breakfast
this is from christine dye's friends she thought
thought
they want her to sing again tonight
that die girl is going to be sorry for this
this
i like a lotta i am the best
opera singer in paris and
nothing is going to stop me singing margarita
margarita tonight
at six o'clock that evening the dancers
were in their dressing room
they talked and laughed and put on their
red and black dresses for faust
but meg jiri was very quiet
what's the matter meg annie cirelli asked
asked
it's the opera ghost meg said
my mother says he's angry she's afraid
that something's going to happen tonight
oh pooh the girl with black hair said
an hour later mr amar and mr filmer
went into box five and sat down
they were not afraid of ghosts of course not
not
there were no ghosts in the opera house
then mr arma saw some flowers on the
floor by the door of the box
verma he whispered
did you put those flowers there
miss you female looked no
i didn't he whispered back
did you of course not you
la carlotta did not sing for the first hour
hour
there were no strange voices in box five
and the two directors began to feel happier
happier
then la carlotta came out onto the stage
and mr firma looked at mr amo
did you hear a voice just then
he asked quietly no
mr amar said but he looked behind him twice
twice
then three times and suddenly felt
cold la calotta sang and
sang and nothing happened
then she began a beautiful love song
my love began
to quack
everybody stared what was the matter
with carlotta's voice
what was that strange noise
stopped and began the song again
i cannot forget my
crack it was the noise of a toad
people began to talk and laugh mr ferman
put his head in his hands
then he felt mr omar's hand on his arm
there was a voice in the box with them
a man's voice laughing
then the two directors heard the voice again
again
behind them in front of them
everywhere her singing tonight is going
to bring
the two directors looked up at the top
of the opera house
their faces were white the famous
chandelier with its thousand lights
broke away from its ropes and crashed down
down
onto the people below
that was a terrible night for the paris
opera house
one woman was killed by the chandelier
and many people were hurt
the opera house closed for two weeks
and la carlotta never sang again
for a week raul saw christine every day
some days christine was quiet and unhappy
unhappy
someday she laughed and sang
she never wanted to talk about the opera house
house
or her singing or raul's love for her
raul was very afraid for her
who or what
was this strange teacher this man's voice
voice
her angel of music
then one day there was no christine
she was not at her home not at the opera house
house
not at their meeting places
raul looked everywhere and asked everybody
everybody
where was christine dying but nobody knew
two days before the opera house opened again
again
a letter arrived for raul it was from christine
christine
meet me in an hour at the top of the
opera house
on the 10th floor
tenth floor of the opera house was a
dangerous place
there were hundreds of ropes going down
to the stage below
raul and christine sat in a dark corner
and raul took christine's hands
listen raul she said quietly
i'm going to tell you everything
but this is our last meeting
i can never see you again
no christine raul cried
i love you and we shh
quietly perhaps he can hear us
he's everywhere in the opera house raul
my angel of music
i couldn't meet you last saturday
because he came
for me and took me away
i was in my dressing room in the opera house
house
and suddenly he was there in front of me
i saw the voice for the first time he
wore black evening clothes
and a mask over his face
he took me through many secret doors and passages
passages
down down under the opera house
there is a lake down there a big lake
the waters are black and cold
he took me across the lake in a boat to
his house
he lives there owl in a house on the lake
lake
under the opera house
raul stared at her was his beautiful
christine mad christine saw his face
and said quickly it's true raul
it's true and he
he is the phantom of the opera
but he's not a ghost he's not an angel
of music
he's a man his name is eric
and he loves me he wants me to be his wife
wife
no raul listen there is more
he told me all this in his house
in a beautiful room he said that no
woman could ever love him
because of his face he was so
unhappy then he took off his mask
she began to cry and raul put his arms
around her
oh raul he has the most
terrible face it is so ugly
i wanted to scream and run away
he has the face of a dead man raul
but he is not dead he has no nose just
two black holes in his yellow face
and his eyes sometimes
they are black holes sometimes
they have a terrible red light
she put her face in her hands for a second
second
then she said i
stayed in his house for five days
he was very good to me and i felt sorry
for him raul
he wants me to love him and i told him
i told him no christine
no you're going to be my wife
come away with me at once today
but i must christine said quietly
he knows about you raul he knows about us
us
he says he's going to kill you
i must go back to him
never said raul i love you christine
and i'm going to kill this eric the word
whispered round the opera house
what was that raul said afraid
was that his voice
where did it come from i'm afraid raul
christine whispered i'm singing
margarita again on saturday
what's going to happen this
raul said after the opera on saturday night
night
you and i are going away together
come on let's go down now
they went carefully along a dark passage
to some stairs
then suddenly stopped
there was a man in front of them a tall
man in a long
dark coat and a black hat
no not these stairs
he said go to the stairs at the front
christine turned and ran raul ran after her
her
who was that man he asked
it's the persian christine answered
but who is he what's his name
why did he tell us to go to the front stairs
stairs
nobody knows his name he's just the persian
persian
he's always in the opera house i
think he knows about eric but he never
talks about him
perhaps he saw eric on those stairs
hand in hand they ran quickly down the stairs
stairs
through passages then more stairs and
more passages
at one of the little back doors to the
opera house
they stopped on saturday night then
after the opera raul said
i'm going to take you away and marry you
christine looked up into his face
yes raul then they kissed
there by the door of the opera house
on saturday morning compte philippe
looked across the breakfast table at his brother
brother
don't do it raul please
all this talk about ghosts and phantoms
i think the girl is mad she's not
mad and i'm going to marry her
raul said she's only a little
opera singer philippe said unhappily
and she's very young
are you still going to love her in 10 or
20 years time raul drank his coffee
there were two more unhappy faces in the
opera house too
the directors now understood about oh gee
gee
they didn't want any more accidents
box five is free tonight for og
day singing margarita and here
is twenty thousand francs madam jiri can
leave the money in box five for him
is that everything mr amma asked mr fema
it's a lot of money
said unhappily he thought for a minute
what about some flowers in box five
madam jiri says that og likes flowers
oh gee can bring his own flowers
shouted mr omar the evening began well
the chandelier was now back in place
with new ropes
all paris was in the opera house
everybody wanted to hear christine
dyer's voice again
people also knew about the love story between
between
christine daye and the vicom de shoni
there are no love secrets in paris
people watch the compt and the v compt
in box 14 with interest
young men from families like deshawny do
not marry opera singers
when christine came onto the stage her
face was
white and she looked afraid
but she sang like an angel
ah what a voice all paris was in love
with christine daye
she began to sing the famous love song
suddenly every light in the opera house
went out
for a second nobody moved or spoke
then a woman screamed and all the lights
came on again
but christine daye was no longer on the stage
stage
she was not behind the stage she was not
under the stage nobody could find her
the opera house went mad everybody ran
here and there shouted and called
in the director's office people ran in
and out
the police came and asked questions but
nobody could answer the questions
arrived in the office with her daughter meg
meg
monsieur there are three people missing now
now
madam jiri said meg
tell the directors your story
when the lights went out we were just
behind the stage
we heard a scream i think it was
christine dyer's voice
then the lights came back on but
christine wasn't there
we were very afraid and we began to run
back to our dressing room
there were people running everywhere
then we saw the vidcom desceni
his face was red and he was very angry
where's christine where's christine he shouted
shouted
suddenly the persian came up behind him
and took his arm he said something to
the vicant
and they went into christine daya's
dressing room
yes and then
mr furman said quickly what happened
next nobody knows
meg's face was white we
looked into christine dyer's dressing room
room
but but there was nobody there
when the lights came on raul ran
he ran downstairs and along passages
through the opera house to the back of
the stage
in the passage outside christine's
dressing room
a hand took his arm
what's the matter my young friend
where are you running to so quickly
raul turned and saw the long face of the persian
persian
under his black hat christine
raul said quickly eric's got her
where is she help me how do i get to his
house on the lake
come with me said the persian
they went quickly into christine's
dressing room
the persian closed the door and went to
the big mirror on one wall
there's only one door into this room
raul began
wait the persian said
he put his hands on the big mirror first here
here
then there for a minute nothing happened
then the mirror began to move and turn
and a big dark hole opened in it
raul stared quick
come with me but be careful
the persian said i know eric
i understand his secrets put your right hand
hand
up near your head like this and keep it there
there
all the time but why
raul asked remember joseph phuket
and the rope around his neck eric is a
they went down down
down under the opera house they went
through secret doors in the floors
then along passages and down dark stairs
the persian listened carefully all the time
time
when do we get to the lake raul whispered
whispered
we're not going by the lake eric watches
it all the time
no we go round the lake and get into
eric's house from the back
i know some secret doors
soon they were there
in the dark the persian felt the wall
carefully with his hands
ah here it is he whispered
the wall moved under his hands and a small
small
door opened very quietly
they went through and then the door
closed behind them
inside the room it was very dark
they waited and listened the persian put
his hands on the wall
oh no he whispered
it was the wrong door this is eric's
torture room
the room of mirrors we are dead men vicomteshani
vicomteshani
dead men at first
raul did not understand but he soon learnt
learnt
the lights came on and they heard a
man's laugh
eric knew they were there
the room was all mirrors walls
floor ceiling there were pictures in the
mirrors of trees and flowers
and rivers the pictures moved and danced
in front of their eyes
and the room was hot it got hotter
and hotter and hotter
raul was thirsty hot and thirsty
and the rivers in the pictures danced
and laughed at him
he closed his eyes but the rivers still
danced water
he needed water but the mirrors laughed
at him
soon he could not move or speak
or open his eyes he was not thirsty now
oh christine i'm sorry he thought
through a mirror in the wall christine
watched her lover in the torture room
behind her eric stood with his hands on
her arms
he's dying christine dying
watch him carefully no
don't close your eyes watch him
christine could not speak she wanted to scream
scream
but no words came then
she found her voice again how can you do
this eric
because i love you christine
marry me be my wife and
love me then raul and the persian can
live slowly
christine turned she looked into eric's terrible
terrible
ugly face and spoke again
very quietly yes eric
from this minute i am your wife
she put her arms around eric's neck and
kissed him
kissed him slowly and lovingly
on his ugly mouth
then she took her arms away and said slowly
slowly
eric stared at her
you kissed me he whispered
i didn't ask you but you kissed me
freely oh christine
my angel that was my first kiss
from a woman even my mother never kissed me
me
she gave me my first mask when i was two
years old
she turned her face away from me every
eric put his ugly face in his hands
and cried then he went down on the floor
at christine's feet
you are free christine free
go away and marry your raul and be happy
but remember eric sometimes
go now quickly take raul and the persian
chapter 10 madam jiri visits the persian
for weeks all paris talked about that
night at the opera
everybody asked questions but nobody
knew the answers
where was christine daye where was the v
compteshani were they alive
some weeks after that famous night
madam jiri went out one afternoon to a
small house near the riverly gardens
she went in and up the stairs to some
rooms at the top of the house
madame jerry looked at him
my friend you know the answers
please tell me are they alive
or dead come in
the persian said quietly they sat down
on some chairs by the window
and looked out across the riverly gardens
gardens
yes the persian said slowly
the phantom is dead now
he did not want to live any longer
i saw his body three days ago and
because of that
i can talk to you about him he cannot
kill me now
so the phantom was really a man
madam jiri asked yes
his name was eric that was not his real
name of course
he was born in france but i knew him in persia
persia
he was a famous builder and i worked
for a time i was his friend
but not for long when he came to paris
i came after him i wanted to watch him
he was a very clever very dangerous man
he could be in two or three places at
the same time
he could be in one place and his voice
could come from another place
he could do many clever things with
ropes and mirrors
and secret doors you see
he helped to build the opera house he
built secret passages
underground and his secret house on the lake
lake
he could not live in the outside world
because of his terrible ugly face
unhappy eric we can feel sorry for him
madam jiri
he was so clever and so
ugly people screamed when they saw his face
face
and so he lived this strange life half man
man
half phantom but
he was a man in the end
he wanted a woman's love
he stopped and madam jiri asked quietly and christine daye
and christine daye and becomet raul what happened to them
and becomet raul what happened to them the persian smiled
the persian smiled ah yes what happened to young raul and
ah yes what happened to young raul and the beautiful christine
the beautiful christine who knows
nobody in paris ever saw raul and christine again
christine again perhaps they took a train to the north
perhaps they took a train to the north and lived a quiet happy life together
and lived a quiet happy life together there
there perhaps christine's wonderful voice is
perhaps christine's wonderful voice is still singing
still singing somewhere in the cold and beautiful
somewhere in the cold and beautiful mountains of norway
mountains of norway who knows
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